The Dream Veil
Description
After her lover’s death, a woman slips into a dreamlike realm. Memories surface like waves, intertwining with visions of his impossible return. In this suspended space between reality and illusion, sorrow deepens into a quiet, aching labyrinth.
Algorithm: The Fight
DeDe es, everything is algorithmically optimized to "perDescription
The turning point occurs when the protagonist notices his neighbor wearing identical clothes and using the same items. He realizes his supposed "individuality" has become a replicated trend. During his city wanderings, he encounters: Are human choices the result of independent thinking, or the computational output of environment, genes, and culture? When technology can eliminate all wrong decisions, do we still need "the right to make mistakes"?
This short film isn't anti-technology—it poses a question: When we delegate choice to "smarter" systems, which matters more: what we lose or what we gain?
This isn't a question with a standard answer, but it's worth everyone's consideration.
Official Selection - Curated catalogue for the 2026 edition of the SFC | Rendez-vous Industry Festival de Cannes(2026)
https://cinandovl.com/sfcrendezvousindustry/film/528882Algorithm: The Herd
Description
A short Stop-motion film that examines collective delusion and social conformity in the digital age, using the absurdist premise of a 'wishing bathroom' as a metaphor."
When a viral rumor claims a men's bathroom can grant wishes, a skeptical young man finds himself in line—not because he believes, but because everyone else does. Through conversations with a laid-off marketing exec also waiting in line, both men gradually realize the real magic isn't in the bathroom, but in our desperate need to believe in shortcuts.
Algorithm: The Fight
Description
An animation that builds a continuous sequence of images. The viewer is fixed in a first-person position, but within this space, they move between different roles and experience different reactions. As things keep changing, we come to realize that our surroundings haven’t actually changed at all; we’re still trapped within various digital platforms, with only the visuals shifting. It isn’t until we finally hear the sound of shattering glass that we experience true liberation.
The rhythm keeps changing. Sometimes it is fast, sometimes it slows down. Scenes are connected, but they never feel stable. The news on the screen presents one version of reality, while outside it there is a more tense and uncertain atmosphere. Online shopping appears exciting and efficient, but behind it there is control and manipulation. Capital shapes what we see, and even users become part of this system without realizing it.
The visuals feel surreal, and the viewer is surrounded by the screen. It becomes difficult to step out. The images do not form a clear story. They appear, overlap, and disappear before they fully develop. Because of this, everything feels unstable. Attention keeps moving forward, but there is no real pause. Animation is an important medium for this work because it allows imagination to take visual form and gives control over how images unfold just like Yellow Submarine music video by Beatles where the visual world feels free but also carefully constructed.
Algorithm: The End
Description
Everything moves toward a quieter, more reflective space. Here, the question is no longer only about technological mediation, but about absence. What remains after human systems collapse? Can landscape itself hold memory? I approached this work almost as an archaeological image-space, where sound, stillness, and duration begin to carry traces of vanished presence.